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sketchy portrait of a man with bushy brown hair, small beard and mustache, wearing a dark suit with a white shirt; abstracted foliage in background with bit of sky at UL corner. Painted entirely en plein air.

Portrait of the Artist Alphonse Legros, 1856

Henri Fantin-Latour

G354

Description Heavy line linen Jacquard Damask, artichoke-crown design, 14 inch pattern repeat Heavy line linen Jacquard Damask, Blue artichoke-crown design, 14 inch pattern repeat (tile with bronze)

%C2%A9 Jack Lenor Larsen%2C Inc.

Brazilian Baroque, 1959-1964

Donald Brothers Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View
cream-colored; subtile woven pattern of scalloped swags and foliage at edges; American eagle with shield at center

Damask Napkin, Date Unknown

Ireland

Not on View
with floral motifs in red and white, summer and winter pattern; 2 pieces joined; embroidered; "Betsey Ann G(J)oyner, South Egremont Mass"

Woven Coverlet, 19th century

United States

Not on View
lower section pleated; top section with narrow self band and ties; lower section attached with boxed pleats in blue indigo batik with occasional purple embroidery; lower edge has woven band of purple geometric embroidery

Skirt, Date Unknown

Miao

Not on View
Damask weave large poppies, approx. 4" x 8". Vert. rpt. 22.25"; horiz. 29.5". Bronze on white. (Bronze - 2)

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Lori Weitzner%2C Larsen Design Studio

Serenade, 1993

Larsen Design Studio, New York; Designer: Lori Weitzner; Producer: Jack Lenor Larsen, Inc.

Not on View
white panel with thickly woven fibers; printed with rows of rectangles--light and medium grey, orange and black--with white between them

%C2%A9 Estate Vera Neumann %2F The Vera Company%2C LLC

Stone on Stone, c. 1950

Vera Neumann

Not on View
pale blue-green; "H" stitched in one corner; woven in radiating diamond motif

%C2%A9 Helena Hernmarck

Napkin, from a five-piece set, 1958

Helena Hernmarck

Not on View
pale blue-green; "H" stitched in one corner; woven in radiating diamond motif

%C2%A9 Helena Hernmarck

Napkin, from a five-piece set, 1958

Helena Hernmarck

Not on View
cream-colored small placemat; threads have slight sheen; woven with stripes and cream-on-cream geometric designs

%C2%A9 Helena Hernmarck

Table mat, one of a pair, 1958

Helena Hernmarck

Not on View
cream-colored small placemat; threads have slight sheen; woven with stripes and cream-on-cream geometric designs

%C2%A9 Helena Hernmarck

Table mat, one of a pair, 1958

Helena Hernmarck

Not on View

%C2%A9 Dora Jung

Cirkuladetri, 1977

Dora Jung

Not on View

%C2%A9 Ferne Jacobs

Sculpture with Hebrew Letters, 1983

Ferne Jacobs

Not on View
natural color, plain weave

Sheet, 18th century

United States

Not on View
Hand embrodiered linen with cut-out design

"Chestnut" pillow, c. 1910

United States

Not on View
twined waxed linen, patterned in black, natural and red design

%C2%A9 Jan Buckman

Basket, 1988

Jan Buckman

Not on View

Towel, 20th century

United States

Not on View
linen, handwoven, handhemmed

Hand Towel, 20th century

United States

Not on View
headband of tapestry weave with designs in red; linen

Headband, 19th century

Iran

Not on View
pale blue-green; woven in radiating diamond motif with zigzags at edges; two panels sewn together

%C2%A9 Helena Hernmarck

Tablecloth, from a five-piece set, 1958

Helena Hernmarck

Not on View
group portrait of seven people all holding pieces of paper with line drawn portraits; man in center kneeling wears tan pants, blue shirt and glasses; first on right is man wearing baggy blue shorts, green shirt, sneakers and blue hat; second figure from right is woman wearing red shirt, blue and pink flowered dress with brown purse at hip; third figure from right is woman wearing light blue t shirt and purple pants who stands behind kneeling man; fourth figure from right is woman wearing green, orange, white and red printed dress, short hear and green bracelet on PR wrist; fifth figure from right is woman in light purple shirt, dark blue pants and light blue shoes; sixth figure from right is man standing in back with blue shirt, gray hair and glasses; faded colorful background depiction various figures; red checkered floor with black and purple designs

%C2%A9 Aliza Nisenbaum

Wise Elders Portraiture Class at Centro Tyrone Guzman with En Familia hay Fuerza, mural on the history of immigrant farm labor to the United States, 2017

Aliza Nisenbaum

G303

portrait of three seated women surrounded by plants, flowers and signage; single seated woman on left wearing yellow head scarf, blue shirt, pink floral skirt and leans on purple arm rest; sign reading 'HARVESTING BASICS' with text and drawings in ULC; two seated women on right- one with white scarf and black dress with yellow and pink flowers, PL arm around seated woman on right, who wears blue striped head scarf, red top and blue and pink gradated long skirt, both sitting on purple bench; orange hanging lamp in URC; groups of flowers with signs/ labels in foreground; lattice with climbing plant with blue flowers in background on left

%C2%A9 Aliza Nisenbaum

Nimo, Sumiya, and Bisharo harvesting flowers and vegetables at Hope Community Garden, 2017

Aliza Nisenbaum

G368

floral screenprinted curtain panel; printed in bright shades of red, yellow, orange, blue, green; bunches of tulips, crocus, grape hyacinths, violets, and other spring flowers on white background; top edge hemmed back and backed with white pleating tape across top verso, machine stitched to panel; bottom edge hemmed back 2-1/4" with hand stitching

Svenska Varblommer (Swedish spring flowers), c. 1936 (printed c. 1945-1950s)

Josef Frank; Printer: Svenskt Tenn.

G281

large central Tree of Life in green with sinuous branches with exotic and stylized flowers (including lilies and roses) and fruits (primarily pomegranates) in shades of blue, yellow, ivory, pale pink, peach, and cinnamon; large exotic bird with fantail perched on the upper trunk; small male figure in fashionable dress hovering over a lower left branch, holding onto a rose tendril and smelling a bud; two female figures in full-skirted gowns flanking the lower trunk, set into a scalloped green and yellow mount with delicate floral sprays and birds' scrolling floral and foliate trail along the borders with exotic bird at each side; worked in floss silk on natural linen ground primarily in tied laidwork with stain and stem stitches; Velcro heading band on back at top

Colcha with tree of life and allegory of the sense of smell, 18th century

Portugal

G281

X-ray of Lady Tashat is at column in Paintings racks in MS

Cartonnage of Lady Tashat, 945-712 BCE

Ancient Egyptian

G250

abstract image; black and white curving lines over purple, orange, blue, black and white sketchy areas of color

%C2%A9 1989 Steven Sorman

Besides as Before, 1989

Steven Sorman

Not on View
Four women in colorful dresses in a room with an open door; central figure in purple floral dress is seated facing viewer; two women in profile crouched on eaither side facing central figure; fourth woman at R in green dress standing in open doorway adjusting her hair; window and curtain in TL

Front Room, 2022

Pamela Phatsimo Sunstrum

G368

Strip of linen, drawn-work, pattern of animals. (Sjoeland).

Strip of drawn-work, 20th century

Denmark

Not on View
Piece of tan linen embroidered with leafy scrolls and large red flowers. Fragment of much larger piece, Lined with unbleached muslin. Linen

Fragment, 19th century

Uzbekistan

Not on View
Coarse, plain weave, eggshell or off-white in color Eggshell

%C2%A9 Jack Lenor Larsen%2C Inc.

Eggshell, 20th century

N/E; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain pile weave. Striped velvet, achieved by a finishing process. Plain pile weave. Striped velvet, achieved by a finishing process. Earth Red

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Amazon Velvet, 1966-1970

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View
Printed, Multi colored, Chevron design.Length is 138.5" PLUS another 16" of sheer sleeve sewn on top edge. Side & bottom are hemmed. 48.5" pattern rpt. Polychrome on Edelweiss

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Obelisk, 1958-1960

Larsen Design Studio, New York; Designer: Jack Larsen; Mill: American Art; Producer: Jack Lenor Larsen, Inc.

Not on View
Linen Velour White Shell White

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Linen Velour, 1959

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain pile weave. Striped velvet, achieved by a finishing process. Plain pile weave. Striped velvet, achieved by a finishing process. Cane

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Amazon Velvet, 1966-1970

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View
Linen Velour Linen Velour Mole

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Linen Velour, 1959

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain pile weave. Striped velvet, achieved by a finishing process. Plain pile weave. Striped velvet, achieved by a finishing process. Mango Gold

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Amazon Velvet, 1966-1970

Larsen Design Studio, New York; Mill: Joynel Company Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View
Lighter & darker plain double weave variation interlocked at border points of diamond shape. Moire effect due to interaction of the 2 fabrics in the pocketed areas. Bronze Amber

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Hologram Diamond, 1987

Larsen Design Studio, New York; Mill: Gessner A G; Producer: Jack Lenor Larsen, Inc.

Not on View
Handwoven? plain weave natural linen cloth with discontinued silk supplementary weft. Supplementary weft forms pattern of alternating horizontal rows of light and dark tan colored 1" squares. Handwoven? plain weave natural linen cloth with discontinued silk supplementary weft. Supplementary weft forms pattern of alternating horizontal rows of light and dark tan colored 1" squares. Dawning

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

City Blocks, 1994

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View
horizontal printed pattern of vases, faces and hands, goblets, mugs and trees in red, greens, aqua blue against dark blue ground

%C2%A9 Nordiska Kompaniet %2F %22Pottery%22 %2C Stig Lindberg%2C 1947

Pottery, 1947

Stig Lindberg; Retailer: Nordiska Kompaniet

Not on View
natural color, plain weave; embroidered initials [SS]

Pillowcase, 18th century

United States

Not on View
natural color, plain weave; embroidered initials [SS]

Pillowcase, 18th century

United States

Not on View
natural color, patterned weave

Tablecloth, 18th century

United States

Not on View
natural color, checker-board pattern weave; embroidered initials [S S]

Tablecloth, 18th century

United States

Not on View
natural color, plain weave; embroidered initials [J H 4]

Hand towel, 18th century

United States

Not on View
natural color, plain weave; embroidered initials [C]

Pillowcase, 18th century

United States

Not on View
natural color, diamond pattern weave; fringed

Tablecloth, 18th century

United States

Not on View
top of skirt in natural linen with narrow pleats held in place by cross stitch; mid section of skirt is patterned blue batik with unusual, complex red or yellow applique; lower portion of skirt has 2 horizontal bands divided by cross stitch; upper band has small multicolored tiny applied squares; black lower band with horizontal tapes in red and green

Skirt, Date Unknown

Miao

Not on View
blue linen pleated top section narrow self ties; lower section attached with tiny accordian pleats in printed blue indigo batik; occasional pink cross stitch embroidered highlights; horizontal bands of tape and small diamond patches in green, pinks and white; pleats held in place with gathering thread; on PR approx 7" of woven tape at bottom edge

Skirt, Date Unknown

Miao

Not on View
weaving sample sewn to card; tan plainweave ground with thick stripes of blue, turquoise and tan integrated warp-twining; notes and thread and yarn samples on sheet sewn to card, below weaving

%C2%A9 Nobuko Kajitani

Weaving Sample, 20th century

Kajitani Nobuko

Not on View
Bare tree trunks. Custon panel prints. Custom hand screen print for fabric or wall paper. White & brown on striae ecru. Miniature. Opposite of 99.1.187.5 (ecru)(light)

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Shirley St. John

Conifer (linen), 1955-1964

Shirley St. John; Mill: Bellana; Producer: Jack Lenor Larsen, Inc.

Not on View
weaving in bright multicolors with man and woman flanking a tree; birds in top corners and LRC; dog in LLC; black ground; red top and bottom bands with light green "C" motifs; white heading band on back

Tapestry, c. 1910-1915

Rosa Nisser

Not on View
larger rectangular panel with narrow strip of same length sewn at bottom; uneven stripes of pinks with white and orange stripes; purple, pink, orange and white diamonds; white and grey ovals; and white wedges; tan bands at two sides on back; "A" stitched in black at one corner

%C2%A9 Marianne Richter %2F Artists Rights Society %28ARS%29%2C New York

Study for UN Curtain, 1952

Marianne Richter

Not on View
small woven towel; hemmed on two sides; light blue and white; horizontal stripe at top and bottom; three vertical stripes--widest at center; medium blue "H" monogram on center vertical stripe at one end; blue and white twill tape loop at top on back

%C2%A9 Helena Hernmarck

Guest towel, from a set of six, 1958

Helena Hernmarck

Not on View
small woven towel; hemmed on two sides; light blue and white; horizontal stripe (zigzag effect) at top and bottom; three vertical stripes (zigzag effect)--widest at center; medium blue "HH" monogram on center vertical stripe at one end; blue and white twill tape loop at top on back

%C2%A9 Helena Hernmarck

Guest towel, from a set of six, 1958

Helena Hernmarck

Not on View
small woven towel; hemmed on two sides; light blue and white; horizontal stripe at top and bottom; three vertical stripes--widest at center; medium blue "H" monogram with stick male and female figures in LRC; blue and white twill tape loop at top on back

%C2%A9 Helena Hernmarck

Guest towel, from a set of six, 1958

Helena Hernmarck

Not on View
small woven towel; hemmed on two sides; light blue and white; horizontal stripe at top and bottom; three vertical stripes--widest at center; "H" monogram in light blue edged with white on center vertical stripe at one end; blue and white twill tape loop at top on back

%C2%A9 Helena Hernmarck

Guest towel, from a set of six, 1958

Helena Hernmarck

Not on View
small woven towel; hemmed on two sides; light blue and white; horizontal stripe at top and bottom; three vertical stripes--widest at center; "H" monogram in white on center vertical stripe at one end; blue and white twill tape loop at top on back

%C2%A9 Helena Hernmarck

Guest towel, from a set of six, 1958

Helena Hernmarck

Not on View
small woven towel; hemmed on two sides; light blue and white; horizontal stripe at top and bottom; three vertical stripes--widest at center; "H" monogram in light blue on center vertical stripe at one end; blue and white twill tape loop at top on back

%C2%A9 Helena Hernmarck

Guest towel, from a set of six, 1958

Helena Hernmarck

Not on View
woven beige linen with narrow black horizontal stripes and seven embroidered horizontal bands (2"-3") of geometric, bird and human designs in black, blue, green, yellow, red, pink; twisted, knotted 1-1/2" fringe on each end

Turban, Date Unknown

Miao

Not on View
two seamed pieces of black and white plaid; embroidered overall in green, yellow, purples and lavender hexagons and diamonds; 8" x 4" sections near center seam is not embroidered; both ends overcase in pinks, green, yellow

Turban, Date Unknown

Miao

Not on View
variegated purple striped ground; triangles in oranges and variegated orange; diagonal lines in oranges; white and grey stripes; band of diamonds in purples; stabilizing netting sewn on back

%C2%A9 Marianne Richter %2F Artists Rights Society %28ARS%29%2C New York

UN curtain fragment, c. 1952

Marianne Richter

Not on View
Strip of Point d'Angleterre a reseau with an undulating pattern of leaves and flowers interrupted by sprays of flowers filled in with simple diaper modes.

Edging, 18th century

Belgium

Not on View
Embroidery linen wall hanging or table cover richly embroidered with geometric patterns in red and other colors. Bokhara type made also extenxively at Samorcand. Linen

Table Cover, 19th century

Pakistan

Not on View
An oblong square of heavy blue linen, polychrome embroidery, design somewhat like a prayer rug, evidently an oriental suggestion.

Square, 18th century

Syria

Not on View
Three dimensional tan coiled object mounts vertically; a 1 in. diameter tube coils up 5 in. and then coils out and back in to make an opening at its top, 2 in. wide; upper portion of the form has some slats in the coiling; waxy looking pigment is on the surface

%C2%A9 Judith Shea

Small Torso II, 1985

Judith Shea

Not on View
purple and green stripes on each end fading into white with purple at center; one area of stripes longer than other area; warp ikat plain weave

%C2%A9 Jun Tomita

Table Runner, c. 1980

Tomita Jun

Not on View
rectangular panel; white ground with white designs of pheasants and ducks standing in underbrush and others taking flight; design repeated three times, three uncut napkins

Three Uncut Napkins, 19th century

Ireland

Not on View
Towel-scarf, end of ; loosely woven linen embroidered with sprays of large spikey pink and green flowers with stems worked in tinsel thread. Linen.

Towel Scarf, 18th century

Turkey

Not on View
Border, fine linen, decorated with tinsel circles and chain stitch embroidery in design of flowering plant and scrolling vines. Linen.

Border, 19th century

Armenia

Not on View
Two borders of purple embroidery joined with a woven stitch. Seam through the center. Pattern typical of embroideries made in the city of Fez. On linen.

Embroidered borders, 19th century

Morocco

Not on View
Square Doily, linen, drawn work.

Square Doily, 20th century

Denmark

Not on View
3 embroidered floral medallions with embroidered floral borders in red, white, green, blue, yellow and purple outlined in black; mounted

Hanging, 18th century

Algeria

Not on View
sheet with embroidered initials [S?V]; natural color, plain weave

Sheet, 18th century

United States

Not on View

Panel, 19th century

Not on View
Three border ends of towel scarves sewn together. The linen materal is embroidered with meetal and linen thread in conventionalized flowerg plant motifs. Each of the three sections has cream silk borders woven into the sides of the material. White, pink, and blue threads are used.

Towel Fragment, 19th century

Greece

Not on View
Piece of dull blue canvas embroidered all over with cross stitch in dull, red, blue, yellow and black in conventional designs similar to those woven in carpets of the period. Part of a much larger piece. Linen, embroidered.

Panel, 18th century

Iran

Not on View
Towel-scarf embroidered in linen thread with two conventionalized flowering plant motif forming border at each end. White, pink and shades of blue thread used.

Towel-scarf, 19th century

Turkey

Not on View
kitchen towel, natural linen, handspun and hand-woven, plain weave

Kitchen Towel, late 19th century

United States

Not on View
linen huck, scalloped, pierced, embroidered edges, embroidery

Hand Towel, 20th century

United States

Not on View
Cover, of loosely woven linen embroidered in tinsel thread with rows of small floral sprays and center medallion surrounded by a row of similar sprays. Linen.

Cover, 18th century

Turkey

Not on View
Long strip of linen embroidered in rather coarse brick stitch with six tree-shaped medallions outlined in green and yellow, enclosing and surrounded by floral motifs, in blue, tan, brown and deep red - the latter the predominating color. Soiled tan linen lining, pieced once. Thick silk fringe at one end.

Panel, 17th century

Albania

Not on View
Quilted bed cover of linen embroidered with broad border inclosing center panel with naturalistic flower motives, chiefly red, blue and green. Linen embroidered.

Quilted Bed Cover, 18th century

Pakistan

Not on View

Panel, 19th century

Greek Islands

Not on View
Towel scarf, loosely woven natural linen, four flower sprays embroidered at ends in pink, rust, raspberry, yellow and tan silks and gold threads. Narrow border in yellow silk and gold thread. Overcast ends. Two large yellow stains.

Towel, 17th-18th century

Greek Islands

Not on View
lace, needle-point, small piece of old English needle-point; tiny defects in edge

Border, 16th-17th century

England

Not on View
Panel, oblong, of fine linen material embroidered with leafy vine and blue and henna flowers. Linen.

Panel, 18th century

Macedonia

Not on View
Panel of tan linen with all-over design of geometrical flowers and leaves in tan, blue, green, rose and yellow linen. Chain and flat stitch. Composed of two strips sewed together. Lined with beige crepe. Rare and valuable piece. Linen.

Panel, 18th century

Pakistan

Not on View
Bed curtain, end of loosely woven linen embroidered with geometrical design worked in green, yellow and blue squares.

Bed Curtain (end), 18th century

Greece

Not on View
embroidered in colors of traditional palmette and flower design

Scarf, 18th century

France

Not on View
small tablecloth, fitted with two central panels, one embroidered with red horses the other in a pink and brown geometric motif, on fine linen ground woven in diamond pattern

Small Tablecloth, 19th century

Switzerland

Not on View
large panel printed with brown and white bare-limbed tree flanked by 2 small trees; skyscrapers in tan, lime green, pink, dark green and light brown in background

Manhattan, c. 1947

United States

Not on View
Towel scarf, tan linen, loosely woven with heavy linen lozenges and dots down length of panels, and four floral sprays in yellow-green silk and metal threads embroidered at each end. Plain linen fringe below grapevine border in same threads as on sprays.

Towel scarf, 17th century

Armenia

Not on View
Three strips of linen sewed together. Each strip is embroidered down the center with rose spray device with blue and henna-colored flowers. Probably part of a bed hanging. Linen.

Part of a Bed Hanging, 19th century

Turkey

Not on View
Cover of loosely woven linen material embroidered in floss silk with rose sprays of blue and henna. Center medallion and narrow border of similar flowers. Many restorations. Linen.

Cover, 18th century

Turkey

Not on View

Band, 18th century

Belgium

Not on View
tablecloth, white linen woven with red stripes, central panel embroidered with geometric floral motif in cross stitch

Tablecloth, 19th century

Switzerland

Not on View
Panel of coarsely woven linen with lines of white cotton thread in the weft and with small medallions of leaves and blossom worked in tapestry weave. Similar in style to fabrics made in the V and VI centuries. A.D. (Transitional period - Roman to Coptic, linen.

Panel, 20th century

Egypt

Not on View
Panel of faded rose velvet with border of green velvet and symbolic ornament on gold damask weave. This type of panel used as chair covers by the Chinese, part hanging over the chair back, then down back, on seat, and hanging below seat. Lined with dirty faded rose linen. Velvet.

Runner, 19th century

China

Not on View
Handwoven? plain weave linen cloth with supplementary silk weft with cut open floats and extreme eyelash effect. Pattern of alternating horizontal rows of fuzzy ended short lines. Handwoven plain weave linen cloth with supplementary silk weft with cut open floats and extreme eyelash effect. Pattern of alternating horizontal rows of fuzzy ended short lines. Eiderdown

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Swan Song, 1994

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View
lozenge-shaped design with organic design at center; brown, blue, red, green on tan ground

Textile Fragment, Date Unknown

Egypt

Not on View

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